![]() ![]() The IMEB thus became a highly active international studio for electro-acoustic music, an adventure that came to a close in June 2011. In 1970 he began a long collaboration with Françoise Barrière, with whom he founded and directed the Groupe de Musique Expérimentale de Bourges (GMEB), which in 1994 became the Institut International de Musique Électroacoustique de Bourges (IMEB), designated a Centre National de Création Musicale in 1997 by the French Ministry of Culture, as well as an International Festival for New Electronic Music in Bourges, Synthèse, held 39 times, the Concours International de Musique et d'Art Sonore Électroacoustiques de Bourges (held 36 times), the music periodical Faire and the record company Éditions Mnémosyne, with the collections Chrysopée Électronique (43 CDs) and Cultures Électroniques (40 CDs), CD-ROMs and books of the acts of the Académie. A violinist by training, he developed various electromechanical instruments such as the hydrophilus, and has practised instrumental and electronic improvisation (VCS3 synthesiser), notably from 1969 to 1972 within the ensemble Opus N, which also included the composers Alain Savouret, Pierre Boeswillwald, Philippe Mathé and René Zosso.Ĭhristian Clozier studied in parallel at the Schola Cantorum, the École Pratique des Hautes Études (EPHE), the EMAMu (Équipe de Mathématique et d'Automatique Musicales), the Paris Conservatory, before working with Pierre Schaeffer (1966-1970) at the Groupe de Recherches Musicales (GRM), within the research department of ORTF. BiographyĬhristian Clozier was born on 25 August 1945 in Compiègne. He is also the deviser and director of monumental multimedia shows ( Ainsi passant les siècles la lingueur, Surmontera la haulteur des Estoilles, 1986). He employs varied styles, uses different rhetorical figures and keeps an eye on the modalities of diffusion-performance for the public. Together they heightened the profile of the Bourges region by creating the festival Synthèse, the International Competition for Electro-acoustic Sound Art, the periodical Faire and the publisher Mnémosyne.Ĭhristian Clozier has based his approach on low tonics and irregular rhythms, developing a powerful body of electro-acoustic works ( Quasars, 1980) though they are not without poetry also ( Le temps scintille et le songe est savoir, 1988). In 1970, together with Françoise Barrière, he founded and directed, until its closure in 2011, the Groupe de Musique Expérimentale de Bourges (GMEB), which became the Institut de Musique Electroacoustique (IMEB) and an official Centre National de Création Musicale. The deviser and designer of instruments/systems, he developed studios for composition (Charybde, 1972) as well as two electro-acoustic instruments, one for child pedagogy and amateurs (Gmebogosse, 1972), the other for live performance-diffusion (Gmebaphone, 1973). In parallel he studied at the Schola Cantorum, the Paris Conservatory and then with Pierre Schaeffer at the GRM. It does not store any personal data.A French composer, improviser, performer-broadcaster and director born Augin Compiègne.Ī violinist by training, Christian Clozier turned towards instrumental and electronic improvisation with the ensemble Opus N. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. ![]() ![]() The cookie is used to store the user consent for the cookies in the category "Other. ![]() The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]()
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